From Listen to Live Show, Music Streaming Just Got Smarter

Spotify has undoubtedly made my music listening life infinitely better, but there remain several areas in which it can improve. Recently the guys and gals in green made a huge stride in one of these areas, namely that of applying data to discovery.

Spotify Discover Function

From listen to live show, can apps like Songkick drive up show attendances?

I have plenty to write about on music discovery via algorithms versus the human touch, but here I simply want to shine a light on the elegant simplicity of integrating local concert listings into this broader recommendations channel.

 

From the Stream To the Show

Who makes up your music audience?

Image Credit: Anirudh Koul

This may seem like a natural extension – indeed, one that was already available by visiting the existing Songkick app tab – but the significance of bringing the show alongside song recommendations should not be overlooked.

Many users look for guidance on what to play when they first open a listening platform such as Spotify, meaning that the Discover page will be a highly visited area. Throw in what appears to be a much refined recommendation engine, one that has thrown up some genuinely intriguing unknowns for me in the last week, and you have the potential for a lot of eyeballs perusing these listings.

If even a small percentage begin to show an interest in the concert element of the page, it seems like something that all parties involved would benefit from developing further.

Personally, I see an increasingly valuable place for services like Songkick in both becoming a go-to source when I want to browse gig listings and delivering concert news to me. Combining my online listening history with that service helps to filter and improve the latter, making both services even more useful and raising the likelihood that I can be persuaded to purchase a ticket.

 

Next Steps

From integrating Facebook data to recommend shows based on the upcoming events of friends, to converting fan follows and listener likes into information that artists can use to better target their marketing, there are a great many extensions of this move that may bode well for music makers.

At a time when streaming services are regularly under fire for simply making money off the backs of the creators whose content fuels their business model, it is heartening to see moves being made to use the vast data sets they collect to pull fans further into the music.

Whether or not such connections actually drive up sales and attendances remains to be seen but, as any marketer will tell you, visibility, relevance, and a compelling call to action are key. Functions like Spotify’s Discover begin to solve the first two elements, but there will be a great deal of tweaking and dealing on the third before we begin to see a truly valuable connection between the listen and the live show.

 

Music Piracy & the Profit Tipping Point

Music Piracy FlagSome significant data were released last week by the (suddenly very visible) music reporting service, MusicMetric.

Significant, in this case, equates to over 400 million instances of illegally downloaded music around the world during the first six months of 2012.

Disaster.

Crisis.

Death of music. 

And yet…

Of Piracy & Profiteering

What most struck me about this report is that the headline artists, those most downloaded in any given country, aren’t of the old guard. From Drake in the US, Ed Sheeran in the UK, and the largely unknown Billy Van in a number of other countries, all are musicians who have risen to prominence in the last few years. [Read more...]

Beck, Publicity and the Continuing Quest For a New Music Paradigm

Music opinions on the internet. You're always wrong.Firestorms flare up that much quicker online…

No sooner had Beck, iconic artist and poster boy for my “slacker generation”, announced plans to release his next album as sheet music only, than had the idea been inflated, exclaimed, and shot down. Indeed, before many of us had taken the time to digest and explore the idea, the curiously polarizing force of the Internet jury had processed its conceptual merits and delivered a typically inconclusive verdict.

But the clarity was delivered, as it so often is, by de facto industry watchdog Bob Lefsetz in his daily missive. Four words was all it took:

“It’s a publicity stunt.”

[Read more...]

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