Synchronicity by Peter Westermann | Threyda.com

Engaging Art: How Threyda Deliver…

A picture is worth 1,000 words, common wisdom has it. So social media should make it easy for artists to share their work, right? Image galleries, slideshows, done… …except there’s much more to it than that.   Copywriters are valued for a reason and engagement, though a notorious buzz word, is widely heralded on every [...]

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The Paradox of Choice: Prioritize Your…

Last  week I posted more in depth explanations of  the first two points on my original 12 point check list for developing your web presence. Today, we’ll look more at the third point on the list: establishing the priority of your online platforms and the key elements that you’ll need to focus on as you develop them. [...]

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Attracting and Engaging True Music Fans…

The remit to attract new fans of music is a ball that is now almost completely in the court of the artists themselves. After a decade of digital disruption, even those artists on whom major record labels decide to take a chance, need to have built a significant base of excited, engaged fans following their [...]

Socially Disconnected: Where the Grammys & Oscars Fell Short

Oscars: Billy CrystalFebruary has been a month packed full of television events that attracted much of North America, perhaps the world. From the Superbowl, to the Grammys and, last night, the Oscars, ratings smashing broadcasts have come thick and fast.

Records have been broken, talent celebrated, winners heralded…. 

So why do I feel that something is amiss?

 

Disconnect the Dots

We’ve established that there is a desire for fans to use social media to engage with television events.

From the trending topics on Twitter being dominated by TV shows on any given evening, to Facebook beginning to aggregate status updates into “## people talked about (insert event here)” style summaries, we can see that enthusiastic fans are utilizing social media to share their views on what is being broadcast. The conversation is rampant and swirling like a raging storm around the big events.

So why does the broadcast itself reflect none of this?

Why does watching the show on network television feel like the eye of the storm, so eerily quiet and removed from the passion circling around it? 

To my mind, it represents the substantial disconnect between traditional standards of broadcast media and the emerging concept of social media, of involving your audience in as many ways as possible. The tools and platforms now exist. The channels to your audience are ever-widening. Yet the will to travel up and down, making the show a two-way street is still found wanting. 

 

The Connection Is Made

Spider Web Connections

To give the Oscars due credit, their web presence offer fans plenty to dig their teeth into. From preview blogs to after-show video, Facebook fan questions to live tweeting the winners, the content is undoubtedly present to lure fans in deeper. The integration is what’s under scrutiny here. The curious relegation of fan passion to a side show, as the restricted Big Top basks in its own glory.

The Grammys made some effort towards this integration with separate performance areas for sets by Foo Fighters, David Guetta, Deadmau5 and the like, but it still amounted to a select few. The floodgates weren’t opened to the enthusiastic masses tweeting and sharing around the event in cyberspace. Even the live television broadcast was restricted in certain markets, leaving certain sections of music fans left out and frustrated.

The challenge to broadcasters is now to integrate as many of these media, as seamlessly as possible, for a diverse and two-way fan experience. 

 

Transmedia Momentum

This may seem like a pedantic moan, based on the fact that both broadcast and social media elements of these events were booming. Though I agree that progress is being made, is it not the remit of leading broadcast events like the Oscars and Grammys to push boundaries, to lead the way in engaging their enormous fan base and show other industries what can be achieved?

Shows like Bravo’s Last Chance Kitchen show what can be achieved when social media are smartly weaved into the fabric of a television program. Fans feel more connected, invested in the developments of the show, and return value is increased as a result of this investment. This trend towards transmedia – telling your story across multiple platforms, involving those who gather along the way – is gathering momentum among more niche programming and holds a lucrative future for those broadcaster that begin to explore and experiment with it in these early stages.

The passion of fans around the entertainment industry – or, at least, the creative talent that it supports – already exists. It is the envy of many other industries who find it much harder to fire up their audiences. Let’s use that to challenge the traditional one-way thinking of artist to fan, instead focusing on a more inclusive model in which fan passion fuels creativity in real time and their involvement breeds an ever-greater connection.

Photo Credit: T. Buchtele

Takeaways:

- Your fans are having a conversation with or without you. Jump in and be a part of it!

- Lasting connections and greater fan loyalty are built when you involve your audience in the creative process.

- Use the strengths of individual platforms to build an integrated experience across all channels. 

What are YOUR feelings on the Oscars and Grammys as an inclusive fan experience? Am I way off the mark here or do they need to involve fans to put on a better show?

How can you improve your web presence for fans through blending in more media?

 

Engaging Art: How Threyda Deliver Stunning to Social Media

Synchronicity by Peter Westermann | Threyda.com

Synchronicity by Peter Westermann - Visit Threyda.com for more

A picture is worth 1,000 words, common wisdom has it.

So social media should make it easy for artists to share their work, right? Image galleries, slideshows, done…

…except there’s much more to it than that.

 

Copywriters are valued for a reason and engagement, though a notorious buzz word, is widely heralded on every social media blog from New York to New Zealand.

For artists, creating a visually stunning piece is just the first step on the road to sharing.

 

Social Success Story

Threyda, an arts collective based in Wisconsin, is one of the first visual artwork organizations that jumps to mind when I think of in terms of social savvy.

From a simple Twitter follow early last year, I’ve been prompted to move through to their Facebook page, from which I’ve regularly checked out the gorgeously presented artwork showcased on their website. Having not yet taken the plunge to buy a piece, I’m almost certain to do so at some point this year, as soon the right deal pops into my inbox via their regular, though not  annoyingly so, e-mail updates.

In summary: Threyda gets it. And they’ve got me.

 

The Whys & Hows

Caught In A Web - Fabian Jimenez - Threyda.com

For a relatively small group of independent artists, Threyda’s army of 11,000+ fans on Facebook and thousands of Twitter followers is impressive in itself.

Digging deeper, there are a number of practices that make the company a shining example to anyone seeking a wider audience for their art.

Here are just some of those best practices:

  • A Competitive Streak - Regular competitions that couldn’t be easier to enter. Post a new piece, have fans ‘Like’ the post, random winner picked. Hundreds of likes (which feeds into how often fans see their posts in the ‘Top News’ stream - more on that here) and plenty of attention for new creations, even from those that don’t win. Competitions encourage participation and return visits.
  • Adopt & Adapt – They’ve learnt along the way that each social media channel has its own potential and limitations. Initially posting to Twitter only through Facebook automation, this tweet showed their intention to adapt to a more interactive, Twitter-friendly approach. Though they still have some work to do on interacting with followers, the adoption of Twitpic and @ mentions to friends show the importance of learning and developing…
  • A Place To Call Home – Despite the many outposts, the (not so) humble website is the central hub of a web presence. These folks seem to get that, with a powerful and visually striking site that is clearly the best place to check out all the creations of each artist. The outposts of Facebook, Twitter et al then feed into this, offering tantalizing thumbnails and Twitpics of the work as a draw to view more angles and full archives back on the website, where visits can be accurately measured and sales more easily driven.
  • Call To Action – Threyda posts always let you know what their intention is. From transactional (“Save 50% at checkout”) to inspirational (“It’s never too late, go create!”), there is a reason for what they put out there and they explicitly state it at the close of their piece. Clear calls to act drive engagement and sales.
  • More Than a Feeling - Other than quoting 80′s power ballads, the reason I include this intangible quality is that Threyda create an aura around their web presence. In truth, it is principally fueled by their other-wordly artwork. But their supporting content, such as this blog reflection on a night snapshot from Cleveland, feeds into the ambiance that they exude. Aligning your style to your social media makes the whole experience feel consistent for fans across multiple platforms.

There are always new, innovative steps that we can take to develop our web presence and improve social media efforts. First, however, the foundations need to be set up strongly and the platform hierarchies clear. In looking at the web presence of Threyda, I find a solid base and flexible approach to new media that I think helps them better deliver their stunning art to the world.

 

And your good selves? What artists or collectives do you see utilizing social media channels effectively?

What aspects of Threyda’s example do you think could be improved?