Love It Or Loathe It, Learn To Live It: Musicians Must Be Entrepreneurs

Musicians in suits... and traffic

Suits You Sir: Can you play the music game?

The business of music is often anathema to artists.

Equal parts strategy and schmoozing, some do one well but fall down on the other. Whatever strengths an individual artist brings to the table, putting in the effort to fill the gaps is a vital factor in a successful music career.

This recent piece by Ari Herstand on music networking reminded me of the importance of the musician as entrepreneur, treating your band as a business, positioning your creations as a calculated career move.

All of which sounds appalling to many of you, I know, so let me re-frame this in terms that should make it more palatable.

Alternative Applications of Creativity

As a creator, you already own the most fundamental tool to entrepreneurial endeavor.

The ability to imagine and let your ideas follow their own path is one that many finely-tuned business minds struggle with on a daily basis. One need only review the many traditionally successful media giants floundering for a foothold in today’s digital world to understand that creativity, experimentation, and a willingness to breach boundaries are almost prerequisites for advancement in the shifting sands of this environment.

They are also traits synonymous with successful entrepreneurs.

Entrepreneurs ask “what if?“, rather than “what for?”

Entrepreneurs view obstacles as a creative challenge, not a cause to complain.

And entrepreneurs have a guiding passion that fuels them when the path isn’t clear, keeping faith in the greater good of what they’re trying to achieve, even in the face of frequent setbacks.

I don’t know about you, but to me these characteristics also sound a lot like those of successful artists.

Embrace Your Entrepreneurship

Not merely accepting, but embracing the fact that you can apply an entrepreneur’s outlook to your art will expand the horizons of your music career.

Viewing networking not as a chore, but as an opportunity to connect with and to help others who may one day help you, revives your enthusiasm for events and can open new doors. Understanding and accepting the fluctuating revenue streams of the music industry as a creative challenge will open your eyes to potential new sources of income. Taking time to develop a cohesive approach to communicating with your listeners will help to develop life-long fans.

While some artists choose to stick their heads in the sand and complain about the latest ostensibly unfair practice of a music business gone digital, musicians with a broader, entrepreneurial perspective can do the work and climb to the top of their game.  As even the notoriously crusty major record labels begin to explore the opportunities presented to them by new technology, rising artists cannot afford to be left behind in a self-indulgent stupor.

Understand your industry and be prepared to poke into every new nook and cranny for the opportunities that are being created. When you spot an early entry point to exploit the next big shift, you’ll be glad you chose to get into the game, rather than standing on the sidelines.

A Muse Month? Setting Your Creative Course

Compass art Belfast Titanic Museum

Image Credit: Ross

The artist’s balance between creating business and the business of creating is a difficult one. 

Of course, my obsession is with the former. Providing creators with a tool kit to pursue your own marketing (and more) has been – and will continue to be – the driving force behind this site.

Once in a while, however, I benefit from turning the tables and exploring the artist’s perspective on the creative process itself…

 

The Business of Creating

Stan Stewart has afforded this site many sharp artistic insights with his commentary contributions, both here and across his myriad social networks. If you’re looking for an inspirational reboot, or just a better understanding of your own creative process, Stan wrote an outstanding five piece series around the turn of the year that you need to see.

You can take these posts on individual value or, better still, as a complete series of activities and guiding questions to better understand your artistic drive.  Part two is particularly useful for reflection on what fires your creative neurons, Part five explains the value of improv and connects to a wealth of further reading resources, if you find that a productive outlet to pursue.

These are the five articles to work through:

Part 1: Set Creative Course

Part 2: Inspire Yourself

Part 3: Following & Leading

Part 4: Do What Works For You

Part 5: When In Doubt – Or Certainty – Improvise

 

I’d love to know what these pieces do for your own creativity, as I begin to work through them for mine, but if you’re pushed for time then please use it to leave Stan a comment. You’ll find much deeper answers from him than I on this subject anyway and you’ll get a great discussion!

Creative Music Marketing (On a Shoestring Budget)

Music marketing matters. Hopefully we established that in the mini-series of the same name earlier this year.

What keep on coming, though, are the examples of independent artists getting creative with their music marketing.

From 10,000 hours of practice to getting social across many media, there are plenty of theories on how you should be behaving as a musician seeking to break out. But what are your peers doing, down in the trenches of small clubs and minimal budgets? How are inspired artists communicating what they do and what fuels their passion?

Most importantly, what can you take away from the examples of others and use in your own marketing efforts?


Leading by Example

Music marketing inspiration

To continue the spirit of the MMM series, every week I’ll be posting a few brief examples of smart, affordable marketing from musicians at your level. Not artists with major label backing. Not those who have hit it rich with a lucrative licensing arrangement. Just those taking an alternative or interesting tack towards spreading their music and winning new fans. Each example will have a more general marketing takeaway, that you can then apply to your own situation.  

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One Habit of Highly Successful Artists

Rest In Peace Stephen Covey

I was planning to have the third installment of Music Marketing Matters here today, but this seems as salient as any point I was going to make. Artists need to strive for what’s in the heart, rather than focus on what the head knows from the past.

Stephen Covey understood this and followed his own heart to become an extremely successful, influential author, guiding generations of individuals towards their dreams with his ‘Habits‘. He passed away today, sadly, but not without living up to his own advice to “leave this world better than it was when you got here.”

For all the smarts, tips, and advice one can offer an artist to get noticed, none of it will come to much if that passionate creative streak isn’t allowed to take the lead. That has to be something at the core of every highly successful artist.

Rest In Peace.

Music Marketing Matters: Diversifying Your ‘Product’

Free Air GuitarLast week I got a bee in my bonnet – yes, my part time job is subbing for Little Bo Peep… what of it? – about the lack of creativity in marketing music.

Rather than just whinge and whine, though, I thought I should probably make an effort to turn things around.

“Be the change that you want to see in the world” and all that motivational malarkey…

 

Music Marketing Matters

And it matters especially on Mondays, which is when I’ll be publishing my contributions to moving music marketing forward.

I have two simple goals for this series:

1. Provide ideas to market your music that offer something new and are practical for you to act upon,

2. Highlight examples of artists who are pushing the envelope in marketing their creations.

Today I can hopefully deliver on both of these, with a look at Amanda Palmer’s recent ~$1.2 million Kickstarter haul and what you can adopt from her methods.

 

Diversify Your Product

Whether or not you agree that music is a product, if you are striving to be any kind of career musician then you need to accept that it is vital to market your art according to similar principles that govern product and service marketing.

Standalone products are only sufficient if they have vast mass market appeal, which is something that rarely applies to music  (how many artists have made the big time with just one release, on one format?) So it falls upon you to offer your fans a wider variety. Not only variety in ways to experience your music, but also the live experience, the fan experience, and even varying the type of art that you make available.

Music Product Diversity - Even more than a record store

Image Source: Mela Sogono

Circling back to the curious case of Amanda Palmer, this million grossing Kickstarter campaign was a tour-de-force of artistic diversity. Here are some concrete actions that you can  pull from her success:

  • Format diversity - Know your audience. In many cases they will vary from pure digital downloaders to geeky speccy nerdy collectors (these are the folks that you especially need!). You need to offer a cheap and easy format for the former, a beautifully crafted limited edition vinyl for the latter, and anything in between that caters to what you know to be attractive to those purchasing your wares. Put out informal polls on social media, talk to your fans, ask in an e-mail newsletter… whatever it takes to find out what diversity people want and how you can give it to them.
  • Build in real world connections - It’s all too easy to be pulled into the digital world and build relationships exclusively with fans online. Palmer offered tangible real world connections to fans in cities across the world, baked into the decision to purchase her new music. Play to the themes of your music and match as many physical events to it as you can afford to deliver. Sound expensive? Cut your cloth accordingly and tailor events to where your fans can gather. Also note, people will often pay more for a real event… and they will feel more invested in your music for having done so. This is especially true if you make a visible effort to make the event special for them personally (song dedications, personalised gifts, private meet and greets…what else would you include?)
  • You are more than music - Heresy, I know, but you have a lot more to offer. What’s more, your fans know it and are more likely to part with their cash if you serve it up for them. Don’t panic, music is still at the core of what you do. But offer art work, lyrics/poetry, personal inspirations in the form of unique merchandise, video content, the work of others that you admire or with whom you have collaborated, and you start to stand out  from the crowd. You also have something to offer at higher price points, providing those who want to spend more a reason to do so. Look at Palmer’s art books as just one compelling example. For bonus points here, make some of the alternative products you offer limited edition. Those who snag them will feel an extra sense of accomplishment as your fan; those who do not will be on increased alert for the next time.
  • Make it community-based - What characterizes Palmer’s online successes (and they are very much in the plural) in particular is the sense of belonging that she evokes in fans. They remain fanatical (in the positive sense), yet there exists a kinship, a degree of equality, in their relationship with her. True, she has built this up over many years, but it can and should be applied right down to the level of brand new artists building fan bases in small towns.This is also a concept that can be applied to your product diversity. How can you make your live appearances more of a communal affair, rather than limit them to artist broadcasting? Playing more intimate gigs like house parties or word-of-mouth outdoor gatherings brings you closer to your audience. Bringing in fans to help you organize such events, with special access for them and a few friends, makes your music more communal. In the short term, these tiny events placed alongside larger, more standard shows, breed a healthy symbiosis between attendance of the two. Longer term, you’re making memories for fans on a one-to-one level, and their emotional investment is far more likely to yield a financial one.
  • Expand into other audiences – Less related to product offering, but nonetheless a useful action point to take from this example, is the idea of branching out into the audiences of other artists and creators. Collaboration is often a smart way to do this, as it breeds unique creations that are of interest to both sets of fans. Reciprocal offerings are another, with a contribution from one artist to your next project and you providing something for them in a similar fashion. Palmer offered books, art work, scripts, photography, and all manner of extras from fellow creators, ensuring cross over into many new networks.

Admittedly, Amanda Palmer has an established base of fans and  can already reach many more people than most independent musicians. But it was the diverse offerings and alignment of them with fan passions that helped her to move from a good Kickstarter campaign to a phenomenal one. $1 million is out of reach, but a healthy return on your investment in music is not.

Take away: Understand your fans’ desires, create a wide range of ways to cater to them at multiple price points, then deliver with passion and flexibility across as many networks as possible.

 

Over to you…

What did I miss? Are there better ways to diversify what you offer to your fans? 

Does the notion of having to go beyond the provision of music offend you as an artist? 

Let’s go at it in the comments section here. We’ll learn from one another and possibly have a good old scrap in the process! 

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