Passion In People: How to Get Listeners to Love Your Music

This post is one in a series called Man Your Virtual Merch Table, looking at how music artists can best use marketing practices to share their work and make life long fans. You can read the rest of the posts here or follow the #ManYourMerch hashtag on Twitter for more.

Concert Crowd

Earlier this week we looked at the intersection of placement and people who love music, finding where your people go and meeting them there.

Today we extend that to delve into the different types of listener that you’ll happen upon and how their varied levels of familiarity with your music affect the way you should approach communicating with them.

 

Different Strokes For Different Folks

Even before we get into how familiar someone is with your music, it’s important to accept that some people will inevitably dislike what you create. Trying to go after every listener is a losing battle, as you’ll waste time on those who will never be convinced and miss opportunities to nudge those who will towards a closer relationship with your music.

Effective marketing in any field defines the ideal customer and different segments in which they can be grouped. Taking the time to understand the types of listener to whom your music is most appealing will set you up to build much more lasting relationships with your fans.

But which types of person should you generally be watching for and how best to communicate with them?

The Spectrum of Music Fans

Many types of Music FanBelow are the broad categories of listener/fan with whom you’ll come into contact. When thinking about them, utilize again the analogy to a live show and the types of people that will pass by your merch table.

Although there will be more to each and every individual, these delineations will help to understand where your efforts are best focused and how your approach should differ in each case.

  • The Hostiles – They flat out don’t like you. Be it your genre, lyrics, fashion, or haircut, haters are everywhere. Pleasantly dismiss them and move on.
  • The Unconvinced – These folks have heard of you but something  hasn’t clicked for them, meaning there’s a barrier to overcome.
  • The Neutral – No opinion on your music as yet, either because they haven’t heard of you or are too new to have made a decision.
  • The Motivated Listener – Consumes more music than the average listener and is open to new sounds. May not have heard of you but has more passion than the neutral in finding a favorite new artist.
  • The Convinced – Those who are already on board with your sound and actively seek you out to listen.
  • The Lifelong Fan – More than just a fan, this person is a passionate advocate for everything you create.

Delving deeper into each of these categories, let’s look at the subtle differences in communication that you can employ to build better relationships with them online.

Hostiles

Again, you have next to no chance of overcoming hostile attitudes towards your work. Online, trolls and hostiles are a common occurrence for anyone with any degree of recognition. Go by the old adage that it’s better to be loved and hated than to be ignored and don’t waste energy on haters that could be better spent on more open-minded listeners.

Unconvinced

If someone has heard of you but has reservations, the key is to understand what they are and how deep they run. Ask open questions about their feelings towards your music to find this out, then zero in on the underlying concern.

Perhaps it’s something as simple as having heard the wrong song, in which case you can point them to something that more suits their style. Find out, from their social profiles or general comments, which artists are their favorites and recommend something from your repertoire that more closely matches their taste. If it becomes obvious that the point of uncertainty is something deeper, such as disliking a particular element that is central to your sound, recognize that they’re unlikely to be converted into a real fan, thank them for listening, and disengage.

Neutral

Every merch table sees a few visitors who haven’t heard of the support band. In that setting, you can only really guide them to check out your set and hope they like it. Online, however, the “blank slate” is more frequent and you have more ways to connect with them via social media touch points.

This “blank slate” listener is, of course, neutral to you until they have something to judge… so serve them up some music! First, though, take some time to build a personal familiarity, preferably based upon similar music or artistic tastes.

We’re more likely to listen to something recommended by someone we like, so build a little trust before serving up your finest slice of songwriting. Even then, make sure that you have the listener’s tastes in mind, first and foremost. Getting to know them and what they like, whether via a Twitter or Facebook conversation or checking their listening habits, will give you more understanding of the best song to recommend. Relate via lyrical subjects, preferred instrumentation, favorite genre, or whatever emotional music connection you can make that increases the likelihood that the individual will move from neutral to convinced (and beyond).

Good Listener Fortune Cookie

To get good listeners, you need to listen good… err, well – - – - Image Credit: Quinn Anya on Flickr

Motivated Listeners

This is a breed of listener who is more of a fan of music in general than a specific genre or artist. Inevitably they have their favorites, but they also tend to be open minded when it comes to trying out new sounds and are able to talk widely about different styles of music. This person tends to show up early to gigs to catch the support acts and is a step above the neutral for you, as you can connect more deeply around musical tastes and the likelihood that they will share what they enjoy is far greater.

Probing the motivated listener’s depth of knowledge is an excellent way to connect with them, opening a window for your music to enter. Allow them to do most of the talking – or typing, for our ends – and genuinely seek to learn from them as a music fan yourself. Find out which blogs and music sites they read, as these may be useful outlets to meet similarly motivated folks. Often these individuals will be music writers themselves, to some extent, and have the potential to be a great advocate for your art, even at these early stages of familiarity.

Convinced

This group turns up to the show to see you. Even if not specifically there as your dedicated fan, they won’t miss your set and have a firm interest in getting to know you better. Online, this means fans of your Facebook page, people on your mailing list, and anyone that has shown a clear signal of interest beyond just spinning a song or two.

For those you’ve convinced already, the skill lies in building that relationship still further via many individual touch points. There will be less need to ask open questions about who and what they enjoy, with more direct communications about specific songs, shows they’ve been to, what they’d like to see from you in future, and other subjects directly related to what you create. Even so, you should remain interested in their wider music tastes and current listening, so that you have a better understanding of both the individual and the broader groups in which they travel. The latter is, of course, a potential route to new listeners, whether by recommendation from your convinced contingent or jumping into those groups of your own accord.

In every instance you should be looking to forge deeper connections with those folks that you’ve already convinced. As they feel closer to you, they tend to be more invested in your career and move towards becoming…

Lifelong Fans

Every musician needs at least a handful of lifelong fans to have anything approaching a career. Whether following the idea of 1,000 true fans to reach a steady income, or simply because you need a third party to effectively represent your music without obvious bias, these fans are the cornerstone of making money from your art. At a show, they will be the person buying a t-shirt, poster, and your entire back catalog on vinyl.

Lifelong fans are rarely developed overnight. They are the product of nurtured relationships, born of your music but brought to fruition by regular, one-to-one connections. As they will go above and beyond for you and your music, you need to be constantly on the look out for opportunities to do the same for them. Share things close to their heart, check in with them frequently, give them insider access to your next work, think up creative ways to reward them when you’re out on tour, anything that strengthens that bond. As you do this, the effect will ripple out to their network of friends, as they listen and talk about you more often. This then feeds the earlier categories, with listeners just waiting to be converted from neutral to  convinced and motivated fans.

Social media has made it even easier to identify your deepest fans and to feed their appetite for connection to you.

Use the channels that they frequent to engage, excite, and reward them in creative ways and you’ll build the basis to make a living doing what you love. 

Music Marketing Matters: How to Win Data & Influence People

In broaching the subject of data gathering and marketing for musicians last week, I quickly realized that this was going to be bigger than one post would allow. Unless one is talented enough to compose enormous articles that remain fresh and coherent throughout – as can Judy Gombita, for example – one should make like a dubstepper and Break. It. Down.
 

As luck would have it, this is also the approach that you should take with your data gathering.

Break down the walls of your fan data

Image Credit: Ross

Bite Size Data

Unless you’ve been diligently collecting and organizing your fan data for years, which I imagine is akin to the 1%, it’s likely you have one large block of unsorted data, knocking around with several other scraps. Taken as a whole, these form your overall audience database.

And take them as a whole is exactly what we’ll do first, before going on to break it all down again. This time, however, we’ll be doing so in a more productive manner.

 

Building Your Audience Database

Follow these steps to build your initial database. If you already have this in good order, please move on to the next section, ‘Music Marketing Segmentation’.

 
1. Gather every piece of fan data that you’ve collected on one place, in an easy to read format.

 

2. Start a spreadsheet in Excel (or a free equivalent, like Open Office‘s Calc or Google Docs) and type out each relevant category across the top row of this sheet. For every recurring piece of data you have, e.g. First name, last name, E-mail, location etc, you should have a category for it on your sheet. Discard any infrequently occurring data like nicknames or feedback. If it’s pertinent, we can record it later in a general ‘Notes’ column.

 

3. Transfer all the data, once you have all the column headings you need, over to your new spreadsheet. Yes, this is the particularly tedious part… don’t worry, I can wait….

 

4. Done? Congratulations! Have a cup of tea to celebrate and come back in half an hour.

 

5. Now begins the fun… data gathering and filling in the blanks. Add any ‘would like to have’ pieces of information to your column headings. Examples might be income, job title or industry, type of relationship (friend, family, or some more complex measure of acquaintance that we can work on). Don’t stress too much on these, as we can add more later, but DO think about the type of information that you’d like to know about your fans. What would help you connect to them more effectively?

 

6. Once you’re happy with the skeleton of your database, it’s time to add as much flesh to the bones as possible. Thankfully we live in an age of seemingly constant sharing, so stalking… researching your fans to fill in any data blanks is more viable than ever before. Start with a basic Google search of names, focusing on social networks to begin with as they have more standardized information layouts. If you’re still drawing some blanks, delve into blogs they frequent, pseudonyms that they use for online handles, or combination searches involving other data that you already have.
 

Once you’ve exhausted as many avenues as you can think of to complete your data set, accept any omissions and save the sheet in a couple of safe places, one hard drive and one accessible remotely, if possible.

Et voila, your information foundation is set! 

Remember to use the header categories that you’ve laid out here for all future data that you collect from people. This keeps everything complete and aligned with what you have identified as important things to learn about your fan base.

 

Music Marketing Segmentation

 

Types of segmentation

A preferable form of segmentation

As I mentioned earlier, we only built this up so that you can break it back down again. This time we’ll do it in an orderly fashion, however, by segmenting the market for your music.

Having gathered all this data about your existing fans, you can use it to make your communications to each of them more targeted. This benefits you because you can offer more clear and relevant news and offers to each segment of fans. It benefits the fans as well, as you aren’t just blasting out general announcements to your entire list, hoping that some of of will stick.

 

Segment Suggestions

You can slice and dice your database into segments in many ways, subject to your targets and the data that you managed to gather.

Here I’ll offer up five segmentation suggestions to get you started. If you start to play around with these, you should find that you begin to understand your data set and develop your own segments.

 

1. LOCATION: Where people live is one of the easiest and readily available pieces of data that you’ll have to hand. It is also one of the most potentially valuable, allowing you to identify clusters of fans for tour plans, geographical trends, and areas for potential street teams or fan meet ups (if coupled with number three on this list). Location is a solid place to start to feel out your data and get comfortable manipulating it into groups. If you need to add broader categories such as East coast, Midwest etc, feel free to create another column and segment in this way as well. 

 

2. AGE: How old your audience is can help you to infer many follow on points, such as their spending power, media preference, musical tastes, and much more. Although some of this will be an educated guess, it also gives you a platform from which to ask these questions the next time you engage them. You can also combine with other data, such as location, to identify audience diversity in various regions. This can help with anything from merchandise choices to venue decisions e.g. if much of your audience in Detroit is under 18, you’ll know you need to find a venue without drinking age restrictions. 

 

3. FAN STATUS: You can add an extra nuance to your data by assigning your own ranking of fan level. This can be based on any number of factors, including number of gigs attended, purchases made, length of relationship, feedback received, or some combination thereof. Digging this deep will allow you to tailor communications to the appropriate sections of your fan base. For example, to crowd fund a limited edition vinyl release you will probably only approach ‘super-fans’, where as sending brand new fans only a special offer for your older material will avoid a pointless communication to long term fans who already have those releases. 

4. PREFERRED GENRE: Understanding the types of music that individual fans enjoy gives you the chance to hyper-target new material, right down to releasing an individual song especially for that group. It can also help to refine set lists when combined with location and age related data, target recommendations of similar artists when you try to help out other artists, and perhaps even influence the way you write your next material. I know, I know, you write what’s in your heart. But it can’t hurt to have an insight into what your fans like as well, can it?

 

5. INFLUENCE LEVEL: This may require further research, or you may simply have a good feel for those of your fans who are influential over the tastes of others, but either way, knowing who to approach to spread your music is a valuable piece of data to have available. Though there are sites like Kred that can help you to ferret out influencers in a certain field online, your most likely route to segmenting in this way is to assign a simple rank for each person, based on recommendation behavior you see online (or lack thereof… perhaps you use a null value, in cases where you simply cannot tell). Does the person regularly share music, post YouTube videos that get likes on Facebook, or write about their tastes online? All are indicators that they should be added to a segmented group that you can go to when your hot new tune needs that extra push.

Over To You!

Have you already worked on something similar to this? How did you segment your data and what results did you see?

For those of you just starting out, does this seem like a valuable exercise? What questions are lingering for you?

Google+