Beck, Publicity and the Continuing Quest For a New Music Paradigm

Music opinions on the internet. You're always wrong.Firestorms flare up that much quicker online…

No sooner had Beck, iconic artist and poster boy for my “slacker generation”, announced plans to release his next album as sheet music only, than had the idea been inflated, exclaimed, and shot down. Indeed, before many of us had taken the time to digest and explore the idea, the curiously polarizing force of the Internet jury had processed its conceptual merits and delivered a typically inconclusive verdict.

But the clarity was delivered, as it so often is, by de facto industry watchdog Bob Lefsetz in his daily missive. Four words was all it took:

“It’s a publicity stunt.”

[Read more...]

Artist Answers: How Do I Propel My Kickstarter Project Funding?

Lynette Music: Funding debut album via Kickstarter

Photo Credit: Emma Rodrigues (click pic for site)

Artist Answers’ is a weekly feature that will help to deliver one of my three guide words for this year: Serve. I ask some like-minded creative types for their most burning new media questions, then set about providing some insight into the topics it raises.

This week, Parisian-based pop/folk (polk?!) artist Lynette jumps into the fray with a detailed question about Kickstarter campaigns. Currently in the last few days of a campaign on the platform, to fund recording of her debut album – you can listen to her music here and, if you dig, back the campaign here – Lynette asks the following:

“We started our Kickstarter campaign at the same time as a couple of other similar music projects and  noticed that one, with the same $25K target, met their goal sooner than we have. We have 1000+ Facebook “likes” to our Kickstarter page, while this particular project just cleared 800.  With what looks like more Facebook exposure, how could we translate that awareness into the $1-$50 donor level participation?”

 

Levels & Layers

As with the fluffy adage about a snowflake, no two Kickstarter campaigns are exactly alike. At least, they shouldn’t be, if the artist is truly seeking to build the project around their own particular fans and the community that they represent. That said, it can be more difficult to distinguish campaigns, especially those related to music, at the lower levels of rewards.

One of the crucial factors is to layer rewards so that each one offers something just a little sweeter than the last. Find the balance between having too many, which can overload a potential backer (paralysis by analysis), and creating enough to suit a number of single and  double digit level backers. The difference between just $10-15 is larger than it seems in this region, so be sure to throw in neat flourishes that will encourage and excite your backers.

Above all, focus on injecting these levels of your campaign with fun and making it accessible to all who wish to support you. Focus on the “every pledge counts!” mantra and show that you value each reward, by weaving some of your (soon to be) famed creativity into each level.

Some examples of neat little extras at these lower levels, that can be achieved with minimal expense to yourself, might include:

  • Handwritten, personalized thank you notes,
  • A link to their web presence and thanks for donating,
  • A blog post on your site, about or including the backer,
  • Smaller merchandise items, such as stickers, tattoos, pins, drink koozies etc,
  • Oddball random items of your own that are limited in number…song notes, guitar picks…I know someone who gave away socks used in the update video…. (you know who you are ;-)

 

Let the Music Play…

Of course, in all of the excitement about personalized rewards and creative merchandise, it can be easy to forget about the music.

Don’t! 

Your music is the crucial element of these lower reward levels, as it will be the core of what draws people in to support you. Plan to weave as many of your songs as possible into the fabric of your campaign video, project updates, social network promotions, and, of course, the end reward outputs.

Some additional thoughts:

  • At the very entry level rewards, up to $10, find ways to include perhaps a song or some advance streaming, so that not only those that pledge at the full album reward levels are included in the musical side,
  • Remember that you can send exclusive updates to just the project backers, something that you can communicate in the reward levels, so those who have not yet pledged understand that they get the inside track on the development of your songs once they back you,
  • Including exclusive previews of music can be exciting to media outlets such as blogs or local press, furthering your reach into their audiences and potentially bringing in curious new listeners, willing to back at the lower levels to explore further,
  • Your existing fans will likely pledge at a level that gets them the full album, regardless of the lower rewards. This effectively acts as a pre-order facility. Newer listeners, perhaps even first timers, however, often need an easier entry point. This  means staggering the music you have available so that they can listen to some for free, get on board, then commit at whichever reward point gets them the music they desire,
  • Also remember that once someone pledges, you have them on your updates list and they can be reached with new music, notifications, and any new rewards that you choose to add. This can be a useful way to bring new listeners into the fold, then persuade them to a larger pledge as their relationship with you and and your music develops.

A Note on Facebook

Facebook Music

Although the exposure that Facebook likes bring on a Kickstarter page is a valuable sharing resource, it appears only as a link on their Facebook Timeline  and the News Feed of their friends. Even visibility of the latter is questionable, given Facebook’s limiting EdgeRank algorithm (more on that here) and the clutter that we all wade through in our feeds nowadays.

Therefore, you should encourage fans to share the project and its page on Facebook and other social media, but not at the expense of the campaign content, which is what will ultimately sell the visitor on backing your project.

For greater reach and traction via Facebook, encourage your closest fans to post about why they have pledged, talk about their favorite aspects of your music, why they are anticipating the new songs…anything that communicates the passion and content acts as a better call to action than a simple ‘like and link’.

And Your Good Self?

Have you successfully funded your own artist project on Kickstarter? What kind of rewards did you offer at the $1-$50 levels to excite fans?

And fans, do you have any advice on what most attracts you to back a Kickstarter campaign? Have you seen artists doing anything especially creative at these levels?

What do you think of the reward levels on Lynette’s campaign?

As always, your input is greatly appreciated! 
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