Synchronicity by Peter Westermann | Threyda.com

Engaging Art: How Threyda Deliver…

A picture is worth 1,000 words, common wisdom has it. So social media should make it easy for artists to share their work, right? Image galleries, slideshows, done… …except there’s much more to it than that.   Copywriters are valued for a reason and engagement, though a notorious buzz word, is widely heralded on every [...]

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The Paradox of Choice: Prioritize Your…

Last  week I posted more in depth explanations of  the first two points on my original 12 point check list for developing your web presence. Today, we’ll look more at the third point on the list: establishing the priority of your online platforms and the key elements that you’ll need to focus on as you develop them. [...]

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Attracting and Engaging True Music Fans…

The remit to attract new fans of music is a ball that is now almost completely in the court of the artists themselves. After a decade of digital disruption, even those artists on whom major record labels decide to take a chance, need to have built a significant base of excited, engaged fans following their [...]

Socially Disconnected: Where the Grammys & Oscars Fell Short

Oscars: Billy CrystalFebruary has been a month packed full of television events that attracted much of North America, perhaps the world. From the Superbowl, to the Grammys and, last night, the Oscars, ratings smashing broadcasts have come thick and fast.

Records have been broken, talent celebrated, winners heralded…. 

So why do I feel that something is amiss?

 

Disconnect the Dots

We’ve established that there is a desire for fans to use social media to engage with television events.

From the trending topics on Twitter being dominated by TV shows on any given evening, to Facebook beginning to aggregate status updates into “## people talked about (insert event here)” style summaries, we can see that enthusiastic fans are utilizing social media to share their views on what is being broadcast. The conversation is rampant and swirling like a raging storm around the big events.

So why does the broadcast itself reflect none of this?

Why does watching the show on network television feel like the eye of the storm, so eerily quiet and removed from the passion circling around it? 

To my mind, it represents the substantial disconnect between traditional standards of broadcast media and the emerging concept of social media, of involving your audience in as many ways as possible. The tools and platforms now exist. The channels to your audience are ever-widening. Yet the will to travel up and down, making the show a two-way street is still found wanting. 

 

The Connection Is Made

Spider Web Connections

To give the Oscars due credit, their web presence offer fans plenty to dig their teeth into. From preview blogs to after-show video, Facebook fan questions to live tweeting the winners, the content is undoubtedly present to lure fans in deeper. The integration is what’s under scrutiny here. The curious relegation of fan passion to a side show, as the restricted Big Top basks in its own glory.

The Grammys made some effort towards this integration with separate performance areas for sets by Foo Fighters, David Guetta, Deadmau5 and the like, but it still amounted to a select few. The floodgates weren’t opened to the enthusiastic masses tweeting and sharing around the event in cyberspace. Even the live television broadcast was restricted in certain markets, leaving certain sections of music fans left out and frustrated.

The challenge to broadcasters is now to integrate as many of these media, as seamlessly as possible, for a diverse and two-way fan experience. 

 

Transmedia Momentum

This may seem like a pedantic moan, based on the fact that both broadcast and social media elements of these events were booming. Though I agree that progress is being made, is it not the remit of leading broadcast events like the Oscars and Grammys to push boundaries, to lead the way in engaging their enormous fan base and show other industries what can be achieved?

Shows like Bravo’s Last Chance Kitchen show what can be achieved when social media are smartly weaved into the fabric of a television program. Fans feel more connected, invested in the developments of the show, and return value is increased as a result of this investment. This trend towards transmedia – telling your story across multiple platforms, involving those who gather along the way – is gathering momentum among more niche programming and holds a lucrative future for those broadcaster that begin to explore and experiment with it in these early stages.

The passion of fans around the entertainment industry – or, at least, the creative talent that it supports – already exists. It is the envy of many other industries who find it much harder to fire up their audiences. Let’s use that to challenge the traditional one-way thinking of artist to fan, instead focusing on a more inclusive model in which fan passion fuels creativity in real time and their involvement breeds an ever-greater connection.

Photo Credit: T. Buchtele

Takeaways:

- Your fans are having a conversation with or without you. Jump in and be a part of it!

- Lasting connections and greater fan loyalty are built when you involve your audience in the creative process.

- Use the strengths of individual platforms to build an integrated experience across all channels. 

What are YOUR feelings on the Oscars and Grammys as an inclusive fan experience? Am I way off the mark here or do they need to involve fans to put on a better show?

How can you improve your web presence for fans through blending in more media?

 

Conquering the Smaller Screen: Twitter’s Impact on Television

This is a re-post of a guest article from Minni Kemp, originally published on a previous incarnation of this site. Having attended a Social Media Week panel on Social TV last week, I thought it about time to resurrect her observations on the rise of social media and its integration with our television experience. 

Minni Kemp is a Midwest freelance editor and writer. In her spare time, she enjoys cooking, running, and reading cheesy romance novels. You can check out her writing at Professional Intern.

I admit that I’m addicted to Twitter.

Twitter & Television

It’s like the world’s largest custom-built chat room—and as long as you cultivate a good list of people to follow, Twitter can be loads of fun. For me, it’s the easiest way to keep up on what’s going on in the world; my timeline is a busy flow of tweets from friends, coworkers, journalists, and almost all of my favorite TV shows.

Even though I rely on my DVR for about half the TV shows I watch on a regular basis, there are a few shows I insist on watching live, just so I can watch with the other folks in my Twitter feed. The real-time conversations about certain shows are often just as good as the show itself.

Now that Twitter is becoming a part of mainstream media, television shows of all types are using Twitter as another way to interact with hardcore fans and to attract new ones.

The Vanishing Fourth Wall

For some shows, Twitter can carry the action and drama beyond the small screen. Twitter accounts often do more than just offer information about the show.

There are feed for a show’s fictional characters (like Barney Stinson from How I Met Your Mother and his @broslife account), for its actors (Neil Patrick Harris’s @ActuallyNPH), or even for a show’s production staff (@HIMYM_CBS). Giving fans a chance to interact with each other—as well as stars or show producers—can create an interactive and personalized television experience.

 

Absence Makes the Viewer Grow Fonder

Waiting for True Blood to return to HBO  sucked, but in a good way. With @truebloodhbo, the folks behind the show keep viewers hooked with contests and sneak peeks of the upcoming fourth season.

They’ve also used Twitter to build anticipation for the new season among diehard fans and Trubie newbies. For fans of the show, it’s become part of the True Blood experience—and it eases the pain until the show comes back on the air.

Community Service

Twittizens have created online communities to tweet about their TV shows in real time. And networks have taken notice: now, several shows offer Twitter feeds for their shows, featuring some of their favorite tweets onscreen during a first-run or rerun broadcast of a show. Using tweets written by real fans is a great form of advertising for a TV show, and is sure to be cheap and more effective than network commercials or e-mail marketing. The line between interaction and advertising continues to blur, but both fans and TV shows benefit.

For a genre that was once threatened by the rise of online entertainment, television has been quick to adapt and to use the Internet to its advantage.

With social media platforms like Twitter, television has become a collaborative experience. What the future of Twitter holds for more interactive television is still up in the air, but with tweeting becoming an integral part of watching TV, the future of entertainment could become more hands-on for viewers.

 

Your Two Cents:

Do you combine your television watching with tweeting? What does it add to your experience?

How do you see social media further developing and integrating with traditional broadcast media?

Your insights are what make the difference, so please weigh in below in the comments or over on Facebook.

Expect more on the social TV phenomenon as I delve deeper into the subjects of last week’s panel.